when squad roll up to the function
Let me tell you a fucking thing about costume design. That’s some in depth, difficult shit to learn. And the fact that this goddess can ramble this shit off the cuff means she knows her shit. ELLE WOODS IS A GODAMNED GENIUS AND IT’s NOT A STRETCH TO BELIEVE SHE GOT INTO HARVARD LAW MMMK?
FUCK YEAH ELLE WOODS OR DIE
this movie is literally about an attractive woman who loves to party having to prove over and over again that she’s also intelligent and hard-working to those who judge her based on her looks (who also empowers and fights for other women, and fosters unlikely friendships instead of engaging in girl hate) and if you don’t think that’s some great feminist shit then I don’t know what your problem is
Let’s not forget that in the end when the guy wants her again, she turns him down because she knows she deserves better.
AND let’s not forget that at the end she is the class-elected speaker at the graduation ceremony, has graduated with high honors, has been invited into one of Boston’s best law firms, and is best friends with the girl who her boyfriend left her for.
THIS IS ONE OF MY FAVORITE FILMS EVER.
“We’ve been ‘cool’ for a very long time, and in that sense our culture has been taken for a very long time. How do we define when we’ve arrived? It’s not when a young, white girl in Berkley is wearing nice garlands or those nice buddhist beads, or wearing bindi. I don’t feel like my life in anyway has been improved because she has the ability to do that and thinks that’s okay. My life hasn’t improved. The life of my mother has not improved. Our voice as a community within this economic system has not improved.
A good friend of mine, she’s south Indian, and she grew up in Connecticut. Her mom would make her wear her bindi and go to school. She would get harassed by kids… she would be harassed so much that what she would do, is that because she was so ashamed to have that bindi on her head, she would leave her house, wipe it off… and then come home and put it back on.
To the point where a child would have to think about such a deliberate attempt to refute their own culture I think is pretty profound. If there’s a white girl wearing a bindi walking down central avenue in the heights, she’s not considered a dot head, even though she has a dot on her head.
For me, the feeling is disgust and anger. The way I look at it if I see it, I just get so mad because I think, how dare this person be able to wear that, or hold that, or put that statue in her house and not take any of the oppression for that. How dare they. That’s not fair. We have to take so much heat and repression for expressing ourselves.
I’m going to rip that thing off your head, and I’m going to scrub that mehndi off your hands, because you don’t have the right to wear it. Until the day when you walk in our shoes, and you face what we face… the pain, and the shame, and the hurt, and the fear, you don’t have the right to wear that. It is not your right, and you’re not worthy of it. I feel like it’s so superficial and it’s so disrespected. One day, wake up, be me, and then you’ll see how powerful what you’re wearing is. ”
—Raahi Reddy, Yellow Apparel: When the Coolie Becomes Cool
"I had gone away from Twitter because before people had been so mean to me. Talking about my lisp and my enormous forehead and all these things. I do have a lisp, I do have a forehead I know you could land a plane on, it’s no mystery to me. I just didn’t have the skin for it. And then when American Horror Story happened people so loved Lana Winters and I felt it was a little safer somehow. And I really like to tweet my fans back when they say nice things. Because I sort of feel like they’re the ones who keep things going on. And I never in my life have felt so protective of a character [like I did of Lana]. I really cried like a baby at the end of the shooting. I didn’t want to say goodbye to her. I kept my little Lana pin [that I wore on the show], the little “L.” Which I decided was for labia, lesbian, Lana." - Sarah Paulson